Like a party of peacocks, nine emblematic chairs are poised to enthrall global buyers this October 20-22 at the World Trade Center in Manila FAME, the country’s premier design and lifestyle event. In collaboration with top Philippine SMEs, nine young and notable designers will recast the Peacock Chair (also called Philippine Chair) in uniquely modern versions, founded on the original design that captivated the world since its debut in the early 1900s.
Collaborating in this special showcase titled, ICON: Peacock Chair Redux, are Leo Sano for Locsin International, Mark Gerby Rivera for Country Accents, Inc., Jim Torres for Industria Home Vico Design and Manufacturing, Corporation, Tony Gonzales representing his own brand, A Greeting Card Co., Budji Layug for Kenneth Cobonpue, Jinggoy Buensuceso for Prizmic and Brill et Compagnie, Inc., Val Padilla for Luzon Rattan Industries, Leeroy New for MCCA Industrial Corporation, and Tes Pasola for Prado Filipino Artisans, Inc.
In a simple and organic design using steel frames and arorog weaves, internationally trained designer Leo Sano, in tandem with Locsin International, aim for the light, airy, and fluffed-up look, resembling the peacock’s feathers in its wide-open magnificent spread.
Country Accents, Inc., which collaborates with designer Mark Gerby Rivera, explores the essence of a peacock’s beauty and references on royalty. Using eyespots in resplendent hues of blue and yellow as highlights of a “birdcage-like” form, their design succeeds in combining the flexibility of rattan and firmness of steel and acorn wood.
Industria Home Vico Design & Manufacturing Corp. taps Jim Torres, a young Filipino designer for its Peacock chair entry in Manila FAME. Jim chooses metal to demonstrate the design values of the original Peacock Chair, including its intricate details, dramatic upper tail called coverts, and distinct hourglass base.
Designer and artist Tony Gonzales, who authored out of the box and globally acclaimed creations such as the Genie and the Melon chairs, is designing the peacock chair for A Greeting Card Company, a firm which Gonzales also heads. The company, which has been creating products out of handmade papers, is expected to produce a standout metal piece worthy of another global design award.
Kenneth Cobonpue, the self-titled company whose exceptional creativity and ingenuity has been recognized in various countries, including London, Italy and Germany and by renowned Hollywood celebrities, partners with designer Budji Layug to create its version of the iconic chair. With these two design bigwigs coming together to create a piece, nothing less than superlative is certain.
Prizmic and Brill et Compagnie, Inc., a company known for its signature style of juxtaposing the raw and traditional with choice modern materials such as select hardwood, hand tipped hides, brass, rattan, steel, glass and textile, very well complements the skills of visual artist and sculptor Jinggoy Buensuceso. Buensuceso, who made the 2,000-scale monumental modern dragon sculpture that wraps around the Green Sun Building in Makati City, is expected to produce a modern statement this October.
Luzon Rattan Industries picks veteran designer Val Padilla for its chair entry in Manila FAME, a challenging feat for the company that has been manufacturing and exporting original Peacock Chairs as well as other rattan furniture since the 1940s. Padilla, however, gamely accepts the opportunity to contemporize the once globally acclaimed design without losing its essential Filipino roots and taking advantage of the company’s deep weaving expertise.
Leeroy New, one of Lady Gaga’s costume designers in her music video, Marry The Night, designs for MCCA Industrial Corporation, an internationally renowned wrought-iron and glass-blowing company that produces indoor and outdoor furniture and decorative accessories. New, who has partnered with MCCA in the past, presents a stunning design of the peacock chair in all its bluish iridescence, achieving it through glass and metal.
The peacock chair has been described as “the fan chair, with its flared back and intricately woven details and throne-like, (its) head-framing seat reserved for royals.” More interestingly, the peacock chair carries its personal cachet, as narrated in “The Development and Effects of the Twentieth-Century Wicker Revival” by Emily A. Morris in her thesis for the Smithsonian Associates and Corcoran College of Art and Design in 2012. She stated that while few sources can track the accurate origins of the peacock chair, which she tagged “Manila” or “Philippine,” the American critics wove fantastical tales that involved Southeast Asian royalty and lush surroundings.
Come October Manila FAME, worldwide buyers will be treated to this one-of-a-kind metamorphosis and evolution at its ICON: PEACOCK CHAIR REDUX showcase.
Capture another piece of Philippine history as Manila Peacock Chairs preens its feathers again, this time in all its glorious plumage for the world to see!
Manila FAME, the country’s premier design and lifestyle event, is organized by CITEM, the export promotions arm of the Philippine Department of Trade and Industry (DTI). For more information, log on to www.manilafame.com.
Stanley Ruiz, one of the Rising Asian Talents at the March 2016 Singapore edition of MAISON&OBJET Asia, comes back to Manila FAME for its April 2016 boutique edition.
Industrial designer Stanley Ruiz is currently collaborating with 10 exhibitors from Pampanga, Cebu, Davao, Negros Occidental, and Metro Manila to develop functional, stylish, and commercially viable lighting products. Together, they are exploring the themes of post-industrial design and Philippine heritage taken on a more modern-day level.
At the same time, Stanley is working with respected Philippine designers Nina Santamaria and Ito Kish for one of Manila FAME’s highlights this April: the Spring Forward special setting, which will showcase the three designers’ products, along with several Filipino manufacturers’ finely crafted seasonal indoor and outdoor product collections for the home. In particular, Stanley will be designing light and home accent pieces to complement the Spring-themed presentation.
Stanley, who took up Industrial Design in UP Diliman, discovered his passion for designing when he was a student. After learning about materials and the essentials of design and being able to apply what he learned, he embraced his major and began taking on designing projects for small and medium enterprises in the provinces while still studying in the early to mid-2000s. His efforts eventually paid off, and so he decided to work in the design industry.
As a designer, Stanley has limitless sources of inspiration. He gets ideas from everyday life, local industries and materials, and nature to name a few, and he transforms them into clever and exceptional design patterns. He shares some pieces of advice to other aspiring young designers: “Take it seriously, explore on your own, think outside of the bounds of the academe, read a lot—not only about design, but other disciplines like music, film, arts, social sciences because these all come into play eventually. It’s not only about being good at drawing, colors, or computer software. There is a lot that you can apply if you know the world more. So, travel—just expose yourself. That’s what I did.”
Today, Stanley is an internationally awarded designer who owns his own studio in Manila, the Estudio Ruiz Design Consultancy. Some of the awards and recognitions he has received include being listed by New York-based Surface Magazine as one of the Avant Guardians of 2010, getting the Bronze Award at the A’ Design Awards in Italy in 2013, and receiving the Outstanding Asia Talents award at the Bangkok International Gift Fair in 2014.
In spite of his accomplishments in the global design scene, Stanley continues to return to Manila FAME. “I love Manila FAME because this is the venue for local companies to show their prowess. It’s actually a showcase of real industry—what our resources are, who we are as a people, and what our crafts are all about, which are basically part of our culture,” he said.
Stanley has been participating in Manila FAME for six editions now as a product specialist, creating product designs for Philippine manufacturers under the Center of International Trade Expositions and Missions’ (CITEM) Design for Exports Program, which aims to assist Philippine manufacturers in creating globally competitive products with design support from some of the country’s top design experts.
“We get fulfillment out of it, like collaborating with companies. I learn from them. I was able to impart some of my knowledge with them to come up with some new products for their collections. In fact, that’s one of the main goals of my design studio here in Manila: to be able to contribute to the local design landscape. And by doing these consultancy projects, I think I’m partly on my way to achieving my goals,” said Stanley.
At the October show edition of Manila FAME last year, Stanley worked with Filipino visual artist and sculptor Jinggoy Buensuceso and Philippine-based Japanese designer Wataru Sakuma to create the northern lights-inspired installation titled, Aurora—A Light Imprint. Inspired by the ‘Aurora Borealis,’ the dreamy natural lights spectacle in the northern hemisphere, the ingenious display was made of over 20,000 chain-linked colorful glow sticks hanging from the ceiling.
The 63rd show edition of Manila FAME, the Philippines’ premier design and lifestyle event, is scheduled on April 21-24 at the World Trade Center, Metro Manila, Philippines. The trade show is organized by the Center of International Trade Expositions and Missions (CITEM), the export promotions agency of the Philippine Department of Trade and Industry (DTI). For more information, please visit www.manilafame.com.
Out of the 400 exhibitors that showcase their products at the 62nd Manila FAME Design & Lifestyle Event, six (6) companies were chosen for their innovative and design-forward products by a panel of respected designers and artists.
The Loopy Chair by Industria Edition was named the Best Product Design for Furniture. Industria, a company based in Pampanga, specializes in the manipulation of steel into visually stunning furniture. The Twist, which won the Best Design for Home Décor, is a playful home piece crafted from wood by veteran furniture maker Vito Selma. Alchemista, Inc. won the Best Product Design Fashion for its Roma Collection of Ring Stands designed by Georgina Teng.
Crafted by Marmol Stone Work and designed by Janina Firmalo-Herrera, the Marble Tray was chosen as Best Product Design for Holiday Décor and Gifts. P&B Valises et Compagnie, Inc. took the Best Booth Display citation, while MASAECO was given the Special Citation for Best Eco-Design for its Gold Paper Bowls designed by Jinggoy Buensuceso.
Katha Awards gives distinction to ingenious designs and encourages exporters to raise their design standards for Philippine export products and pursue a skillful exploration of new materials/processes.
Since its inception in the early 80s, Katha Awards has been distinguished as a hallmark of Philippine product design excellence and innovation. It is an emblem and statement that seeks to inspire and challenge exporters and designers to constantly create and develop original designs for furniture, home décor and furnishings, holiday décor and gifts, and fashion complements relevant in the global market.
The prestigious award is one of the highlights of Manila FAME, a bi-annual design-driven event organized by CITEM, the export promotions arm of the Philippine Department of Trade and Industry (DTI). Manila FAME features finely selected furniture and home furnishings, holiday gifts and décor, and fashion accessories designed and crafted in the Philippines for the global market.
Visit www.manilafame.com for more information.
HYBRID, an art and design group composed of Jinggoy Buensuceso, Wataru Sakuma, and Stanley Ruiz, joins the 62nd Manila FAME this 15-18 October 2015 for a lighting installation that is conceptualized and developed to promote the Philippines’ unique interpretation of light—capitalizing on Filipino artisans’ design skills, creativity, and high-quality craftsmanship. The installation is also made in in celebration of United Nations’ proclamation of 2015 as the International Year of Light and Light-based Technologies.
Buensuceso, Sakuma, and Ruiz collaborate on “Aurora—A Light Imprint,” an installation that fuses light and time to form an enchanting 3D imprint mid-air that mimics the colors of the Aurora Borealis, a natural phenomenon of bright dancing lights of the aurora that result from collisions between electrically charged particles from the sun that enter the earth’s atmosphere. These three designers explore materials to create objects that exist between (and beyond) furniture, product, sculpture, architecture, and media arts. They also adhere to process as the essence of their collaboration.
Using glow sticks that are activated and chain-linked to each other, the designers will place short-term light sources on structured panels, hanging in mid-air from the ceiling of the SMX Convention Center. The structured panels provide an impression of free-flowing movement in mid-air, while the flat, black panels above them serve as the night sky background against the activated glow sticks. The Northern Lights-inspired installation is in an enclosed setting to allow Manila FAME buyers and guests an immersive experience on the use of light-based technologies to translate messages to consumers.
HYBRID wants to promote lighting as more than just illumination. They want to initiate an exploration of art designs that capitalize on light-based technology. HYBRID hopes to strengthen the lighting industry in the Philippines, by providing a source of inspiration that can spark innovative ideas from the sector.
Jinggoy Buensuceso is a visual artist and sculptor whose works, characterized by the use of clean lines with organic forms, evoke stories and statements of oneself, culture, and way of life. A three-time Mugna awardee, Buensuceso is considered an emerging figure in furniture design where he has created functional art pieces meant to evolve design into art.
Wataru Sakuma is a Philippine-based Japanese designer who has four KATHA Awards under his belt. His “REBAROQUE” collection, in collaboration with Stonesets, a furniture manufacturer in Cebu, was awarded the Mugna Transitional Design Award.
Stanley Ruiz has been working in the design industry since 1999, developing products for manufacturers in various regions of the world, including China, India, Indonesia, Italy, Peru, Philippines, Portugal, Taiwan, Thailand, and Vietnam. His recent project includes a newly-released lighting collection for the Cebu-based manufacturer HIVE.
The 62nd Manila FAME, Philippines’ premier design and lifestyle event, is organized by the Center of International Trade Expositions and Missions, the export promotions agency of Dept. of Trade and Industry. The event will run through 15-18 October 2015 at the SMX Convention Center, Pasay City. For more information, please log on to http://www.manilafame.com.
Different minds, myriad of ideas, and varying materials skillfully brought together to form a perfectly unified whole. This is what best describes the work of Stanley Ruiz, Jinggoy Buensuceso and Wataru Sakuma in the special setting called “Light & Shadow” at Manila FAME, slated at the SMX Convention Center, Pasay City on 13-16 March 2015.
Recognizing the market opportunities presented by the global lighting market and in celebration of the United Nations’ proclamation of 2015 as the International Year of Light and Light-based technologies, Manila FAME tapped three ”gypset” designer-artists with uncommon design instincts; to give their own interpretation of the age-old interplay of light and shadow through their own designs. Working closely with a select group of manufacturers, these designers found themselves undertaking personal passion projects to bring to life their ideas and highlight the expertise of their partner companies.
“CITEM and Manila FAME are very proud of the synergy we have nurtured with the Philippines’ brightest design talents. Through Light & Shadow, we are likewise redirecting awareness of the Philippine exporters on the range of possibilities and opportunities in the global lighting market,” said CITEM Executive Director Rosvi Gaetos.
“The modular pieces allow for exploration, combination, play, reconstruction. The design presents limitless potential and infinite possibilities,” said Stanley Ruiz who collaborated with Bon-Ace Fashion Tools, Inc., MASA Ecological Development, Inc. (MASAECO), Prado Filipino Artisans, Inc., Triboa Bay Living by Vivere Lifestyles Company, Inc., and Venzon Lighting Manufacturing, Inc. for his special setting.
Jinggoy Buensuceso’s design principle is not just to create products which are already aesthetically excellent, but also serves a higher function. He works with Cancio Contract Furniture Corporation, Industria Home Vico Manufacturing Corporation, P&B Valises et Compagnie Inc., Shell Arts Company, Inc., and That One Piece Enterprise. “We have to start thinking differently about lighting and how we can manipulate it. We can bend it and throw it but the big difference is when you marry it with lines and organic forms to create a theatrical play of light and shadow. This is when we are brought to another dimension and into an elevated experience,” says Buensuceso.
Wataru Sakuma identifies the material as the cornerstone of his design process. “They are all of same shape, yet they are different. One shape transformed into multiple and distinct works through the utilization of the uniqueness of various materials, each with their own strengths just waiting to be realized. My own understanding of each material, a personal level of relationship, manifested in each and every piece.” The Philippine-based Japanese designer collaborates with CSM Philippines, Inc., E. Murio Inc., and South Sea Veneer.
As other Asian countries are now introducing their designs to the global market, the strength of our material together with the daring nature of Filipino and Philippine-based designers in exploring new territories, are what set it apart from other countries. However, there are still several facets which have room for improvement. “The Philippines need to have a more solid design culture which requires the involvement of the government to provide venues for public exhibition and to tap the media to capture the interest of the public,” says Ruiz.
Manila FAME is a global platform to the country’s small and medium enterprises (SMEs), which features certified, export-quality products such as furniture and furnishings, holiday décor and gifts, garments and fashion accessories designed and crafted in the Philippines for the global market. It is the second longest-running trade show in the Asia-Pacific, and is the only trade event in the country that is approved by Union des Foires Internationales (UFI), the Global Association of the Exhibition Industry.
Supporting the Philippines’ position as a sourcing hub for creative and design-forward home and fashion products, Manila FAME 2015, organized by the Center for International Trade Expositions and Missions (CITEM), the export promotions arm of the Philippine Department of Trade and Industry (DTI), features anew selected furniture and home furnishings, holiday gifts and décor, and fashion accessories designed and crafted in the Philippines for the global market in its 61st edition on March 13-16, 2015 at the SMX Convention Center in Pasay City.
CITEM founded Manila FAME initially as an event that only showcased locally made products. Through the years, it grew to the level of producing not only an event, but stories – stories of exporters and manufacturers, nurtured and developed by CITEM through its various programs such as Design Philippines, Red Box and Manila Wear. These stories continued to grow in numbers, continuously translated into products which promoted the perfect combination of innovativeness, technology and soul.
“Besides strengthening and developing skills and competencies of homegrown artists from different sectors, Manila FAME assists local exporters and manufacturers in establishing partnerships, generating export opportunities, and finally penetrating the world’s lucrative business markets,” said CITEM Executive Director Rosvi C. Gaetos.
Design Philippines, the industry brand for furniture and home furnishings, is curated by a Creative Team composed of seasoned designers from various sectors, brought Manila FAME to a higher level by taking exhibitors who embraced the brand building initiatives of CITEM, to participate in international trade fairs such as Salone in Milan, Italy, Maison ‘d Objet in Paris, France and Anuga in Cologne, Germany.
Red Box is a program which develops aspiring designers to penetrate the market. One such story is a group of designers who named themselves Epoch, began as young, unknown designers of functional items for companies 4 years ago and are now successful manufacturers themselves. Their story, The Return of the Epoch, will be featured in a special setting aptly called “ The Light & Shadow” lighting installation. Appropriately timed with the UN General Assembly proclamation of 2015 as the International Year of Light and Light-based Technologies (IYL 2015), it presents the collaboration of designers Stanley Ruiz, Wataru Sakuma, and Jinggoy Buensuceso with select companies to feature the growing sector of lamps and lighting.
Sure to draw fashion enthusiasts is Manila Wear, which will unveil Luxe fashion collections derived from a group of fashion designers who uses indigenous materials to create bespoke items. Manila Wear is a branding initiative which aims to position the Philippine fashion industry in the market.
Still aimed at promoting local exports in the world market, the Manila FAME International Hall brings together under one roof exhibitors from different countries, tapping the international as well as the local markets. It provides a fresh sourcing venue for trade buyers from around the world who come regularly to Manila FAME.
Fortifying CITEM’s commitment in upholding the global competitiveness of Philippine products, on the other hand, is the One Town, One Product (OTOP) program of the Bureau of Domestic Trade (BDT) of DTI, a priority project of the government to promote entrepreneurship and job creation in the country’s various regions. This edition, OTOP manufacturers will team up with designers to showcase latest collections from different regions.
Katha Awards, the hallmark of Philippine design excellence, will open the 61st edition of Manila FAME through the recognition of companies whose product designs and innovation combine the ideals of form and function. Katha Awards has sought to inspire and challenge Philippine exporters and designers to innovate and develop designs and products competitive and comparative to its counterparts in the world market.
For more information on Manila FAME, interested parties can visit http://www.manilafame.com or email firstname.lastname@example.org.
Manila FAME returns this October, bringing with it a new season of authentic Philippine craftsmanship as the premier trade platform for export and design in the country. The Design and Lifestyle Event continues to purvey Philippine-made products that embody the solid merging of traditional and modern techniques, utilizing local materials with ingenious approaches to form, function, craftsmanship, and design.
For the October 2013 edition, Manila FAME presents new collections of products that go beyond the boundaries of innovation and Philippine aesthetics from the collaborations of select manufacturers and brands and with seasoned and up-and-coming designers under the Design for Exports Program of the Center for International Trade Expositions and Missions (CITEM), the Department of Trade and Industry’s export marketing arm and force behind Manila FAME.
The Design for Exports Program anchors itself in working with the country’s manufacturers in developing high-caliber products that exude the Philippine design identity of mixing the impeccable tradition of craftsmanship with modern aesthetics that caters to global demand. The program aims to nurture and promote Philippine manufacturers with the aid of the some of the best design professionals in the country. With the expertise and experience of designers backing these manufacturers and producers, the country continues to be a source for the best products in furniture, home décor, fashion, and holiday and gifts.
In a special setting of the Design Philippines, design icon Budji Layug provides decades of expertise and inspiration to a roster of Philippine manufacturers to develop top-of-the-line and design-forward products in furniture and home décor. “I’m trying to bring them to a new stage of exposure, of branding, and fresh ideas to how they can open up and offer their services, their products to a bigger market,” says Layug on working with the companies. “I think by giving my thoughts and sharing my experience with them they are able to open up and understand better the direction that they need to go for the future.”
The designer also leads a group of designers fresh to the Manila FAME scene, all designing and developing products with manufacturers under the Red Box Program of the Design for Exports. To Layug, working with these designers is both challenging and satisfying. “I am able to share my experiences with the designers as to how to understand better the whole picture of Philippine design and manufacturing,” says Layug. “I think it’s going to open up new levels of exposure and imagination for each and every one.”
Long-time creative collaborators to Manila FAME, designers Jinggoy Buensuceso and Wataru Sakuma lend their experience and expertise to the program as well. The two designers work with manufacturers to develop innovative, high-quality products in home décor, gifts and premium items, and Christmas and holiday décor.
Make sure to check out these new products and more when you visit Manila FAME on 17 – 20 October 2013 at the SMX Convention Center, Mall of Asia Complex, Pasay City, Metro Manila, Philippines.
For more information on Manila FAME, visit www.manilafame.com.